Visit the real life locations featured inHow to Spot A Fake

Chicago is my kind of town and has been for nearly nineteen years! I can’t imagine a better big city setting, especially for the time of year featured in How to Spot a Fake (aka the holidays!). If you want a magical Christmas-time experience, you need to visit. From the Magnificent Mile lighting parade to the Walnut Room on State Street, Chicago has all the best on offer during the holiday season.

But you don’t need to wait until November to visit the locations in my book.

Chicago Cultural Center

This landmark draws visitor for its Tiffany dome and free cultural events. Steps from Millennium Park, it’s very accessible for downtown tours.

Palmer House

My very favorite hotel anywhere (and that’s a big statement, because hotels are my love language). It is a grand building you can stay in or stop in for a drink in the stately lobby bar (and marvel at the architecture).

Lake Forest

A beautiful suburb north of the city. This is the location of the mansion in the book (although the actual mansion is fictional). The city has many grand historic homes and often hosts tours and lectures. I have linked to the preservation foundation. Through this organization, I’ve signed up for a special tour of a remarkable property, Crab Tree Farm. They host a lot of great events for those interested in historical properties.

If These Pages Could Talk…

My interview on If These Pages Could Talk chatting art history and How to Spot a Fake

What to do with family heirlooms and found treasures?

Photo by Leeloo Thefirst on Pexels.com

Now that I’ve published two books about finding antique treasures (pottery in the mansion in Her One in a Million; Faberge in How to Spot a Fake), I thought I’d talk a little bit about what to do if you find something/inherit something that might be valuable.

My main and number one tip?

Don’t be intimidated, ask an expert!

After grad school, I worked for an auction house in Chicago in the furniture and decorative arts department, cataloging items for sales. We found antiques for sale in all sorts of ways. From lawyers settling estates to recommendations from insurance appraisers, but contacts from people clearing out their attics were my personal favorite. We’d field calls, emails, appointments, and letters with photographs.

Like in my books, treasures can be anywhere! If you think you have something special, auction houses want to hear from you! You don’t need to go to a major East or West coast firm. There are plenty of reputable firms all over the country.

The main benefit of going to an auction house is their reach. Sales are almost always online as well as in-person, making your treasure available to a global audience.

What if you aren’t sure and don’t want to reach out without a better idea of what you have? For American silver and pottery, you can do a little preliminary work on your own. I highly recommend the Kovels’ guides, in particular The Collector’s Guide to American Art Pottery (also just a really great read!) and American Silver Marks. (Silver was one of my favorite decorative arts to catalogue and sell because 1) it’s always been valuable so families would hold on to it for generations and 2) the marks make it easy to identify what you have. British and European silver have their own series of marks. Check out Miller’s Silver Marks as a guide).

When in doubt, reach out. You’ll never know what you have if you don’t ask.